There are
    several interesting and key structural choices thatmakes in this story. The first is to begin
    the story by making the reader aware of Framton Nuttel's nervous condition. In the second
    paragraph, for example, we learn that Framton is visiting a "rural retreat" to aid
    "the nerve cure which he (is) supposed to be undergoing." It is important that the
    reader should be aware of this at the beginning of the story because, later in the story, it
    makes the practical joke played upon him, by the mischievous Vera, all the more cruel.
Another interesting and key structural choice is to keep the reader in the dark about
    the practical joke until the end of the story. Vera tells Framton that her aunt's husband and
    two young brothers disappeared one day, three years ago, when crossing the moor. She also tells
    him that her aunt still "thinks that they will come back someday." When they do
    return, at the end of the story, the reader is, momentarily, as surprised as Framton.
We then learn that the story about the men disappearing was a lie. Vera knew that the
    men had left to go hunting only that morning, and she knew too that they would return that
    evening. Because Saki decides to keep this information from the reader until the end of the
    story, the reader is better able to empathize with the , Framton Nuttel. The decision to only
    reveal the truth at the end of the story also ensures that the story concludes with a very
    dramatic, satisfying .
 
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