The entire text is
 consumed with the
            search of Gilgamesh for immortality. He is a larger than life character who
            is
 obsessed with not dying, and who endangers his own life happily in the
            hope of gaining
 immortality. In the end, Gilgamesh is a character who does
            not gain immortality but learns
 wisdom, and part of the wisdom that he learns
            is the acceptance of mortality, but this is a
 lesson that is hard to learn
            and it is one that Gilgamesh has to personally confront when his
 friend and
            erstwhile sidekick, Enkidu, dies. Note how Gilgamesh grieves his friend's
            death:
The paths going up to and down
from the
forest of cedars
All mourn you: the weeping does not end
day or night.
Gilgamesh has to realise
            that all men, including himself, die at
 some point in their lives, and that
            the only response in the face of such mortality is to live
 life as happily
            and merrily as one is able to, as he learns from Siduri, the goddess of
            wine-making. Theof mortality is thus expressed in the way that Gilgamesh sets out at
            the
 beginning of this epic classic to gain immortality but is forced to
            confront the mortality of
 man through the death of his best friend and his
            own mortality, moving towards an acceptance of
 his own state as a thoroughly
            mortal being.
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