The
    question of verisimilitude in  is grounded in the evolution of the novel as
    a genre. In the twenty-first century, if a student picks up The Hobbit or
    Pride and Prejudice, that student will assume that the work is a novel,
    with an imaginary third-person narrator recounting the actions of imaginary people. This
    literary convention is embedded in contemporary culture and is one considered an ordinary part
    of entertainment and school work. When Defoe was writing not only the novel but literacy itself
    was far less common. The framing of  Robinson Crusoe and the question of
    verisimilitude...
Wednesday, March 30, 2011
Discuss how Daniel Defoe achieves verisimilitude in Robinson Crusoe and provide two examples.
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